COTE D'IVOIRE
The Republic of Côte d'Ivoire (IPA: pronunciation: /kot divwa/ or /kot divwar/; commonly called Ivory Coast in English; see below about the name) is a country in West Africa. It borders Liberia and Guinea to the west, Mali and Burkina Faso to the north, Ghana to the east, and the Gulf of Guinea to the south. One of the most prosperous of the tropical West African states, its economic development has been undermined by political turmoil spawned by official corruption and refusal to adopt needed reforms.
(Captial: Yamoussoukro (official) Abidjan (de facto))
Demographics
76% of the population are considered Ivorians. They belong to different peoples, which linguistically are summarized under the language groups of Kwa, Kru, Mande, and Gur.
Since Cote d'Ivoire has established itself as one of the most successful west African nations, about 20% of the population consists of workers from neighbouring Liberia, Burkina Faso and Guinea. This fact has created steadily increasing tension in recent years, especially since most of these workers are Muslims while the native-born population is largely Christian (primarily Roman Catholic) and animist. 4% of the population is of non-African ancestry. Many are French, British, and Spanish citizens, as well as Protestant missionaries of American and Canadian background. In November 2004, around 10,000 French and other foreign nationals evacuated Cote d'Ivoire due to attacks from pro-government youth militias.
Culture
Music
Côte d'Ivoire's largest city, Abidjan, is perhaps the most influential city in recorded African music, with performers coming from across the continent to record their singles and albums. The city has several high-tech studios, more than any other city in Africa with only Johannesburg as a possible rival; prominent studios include JBZ, Nefertiti and Sequence. EMI International was the major label with the most invested in Abidjan and in African music in general until it shut down its African branch in 1995.
The Coupe-Decale created by Doucoure during the militaro-political crisis in Cote d'Ivoire,reflects the aspirations of the Ivorian youth.Coupe-Decale is a very melodious and percussive African samples,deep bases, rythmic and very well accommodated.It is a unique style.Coupe-Decale is about happiness,expresses the day life of the Ivorian society,and also gave an insight into the political situation of the country.The prominent artists of Coupe-Decale are Sagacite(Doucoure),DJ Brico,DJ Arsenal,Papa Ministre with his famous tune "coupe-Decale Chinois", and many others talented Ivorian artists.
Each of the more than sixty ethnic groups of Côte d'Ivoire have their own folk music traditions, most showing strong vocal polyphony (a common characteristic of African music), especially the Baoulé. Talking drums are also common, especially among the Appollo, who are also known for their abissa purification dance, part of the popular music of Meiway. Polyrhythm, another African characteristic, is found throughout Côte d'Ivoire and is especially common in the southwest.
Gbébé, a Baoulé rhythm, has been a part of popular music since Côte d'Ivoire's independence, popularized by Soeurs Comöé and later, Frères Djatys and Sery Simplice. Ernesto Djédjé, however, is considered the father of Ivorian popular music. Using one of the folk rhythms of the Bété as well as his teacher, Amédée Pierre's dopé style. Djédjé has long been an advocate of Ivorian music, railing against the "Congolization" of the Abidjan scene. Outside of Côte d'Ivoire, Djédjé is best known for 1977's Gnoantre-Ziboté, which was a pan-African hit and found some success in France and Canada. He plays a type of music called ziglibithy.
Since Djédjé, no Ivorian musician has been able to achieve the same level of fame. Luckson Padaud's laba laba style, which is similar to the Bété ziglibithy, has had some success, as has Gnaore Djimi's polihet. The most popular styles in Côte d'Ivoire are imported reggae from Jamaica and hip hop from the United States; the country has produced notable musicians of both genres, especially Alpha Blondy's brand of Afro-reggae became a national hit following his appearance on the TV show First chance in 1983. Hip hop has been popular in Côte d'Ivoire since the mid-1990s, and includes a gangsta rap-influenced style called rap dogba. Notable hip hop musicians include All Mighty, M.C. Claver and Angelo.
Zouglou is the most recent Ivorian popular tradition. It comes from the early 1990s, when university students, upset about living conditions on campus, began rallying around Didier Billé. Zouglou was satirical in nature, and usually accompanied by a dance to a fictional god.
Islam in Cote D'Ivoire
Islam came to West Africa in three waves. In the ninth century, Berber traders brought the faith from North Africa to the ancient Ghana Empire. Beginning in the thirteenth century, the Malinké rulers of the Mali Empire contributed to its spread throughout much of the savanna, a process that continued into the eighteenth century, when the Juula established a Muslim kingdom in what is now northern Côte d'Ivoire. Finally in the nineteenth century, the Malinké warrior Samori Touré contributed to the southward spread of Islam.
In Côte d'Ivoire, it is mostly the devout Muslims who pray, fast, and give alms as required by strict tenets of Islam, and only the most wealthy perform the hajj. Most Ivoirian Muslims are Sunni, following the Maliki school of Islamic law. Sufism, involving the organization of mystical brotherhoods (tariqa) for the purification and spread of Islam, is also widespread, laced with indigenous beliefs and practices. The four major Sufi brotherhoods are all represented in Côte d'Ivoire, although the Qadiriya, founded in the eleventh century, and the Tidjaniya, founded in the eighteenth century, are most popular. The Qadiriya is prevalent in the west, and the Tidjaniya, in the east. The other two major Islamic brotherhoods have few adherents in Côte d'Ivoire. The Senoussiya is identified with Libya, where its influence is substantial.
The significant religious authority is the marabout. He is believed to be a miracle worker, a physician, and a mystic, who exercises both magical and moral authority. He is also respected as a dispenser of amulets, which protect the wearer--Muslim or non-Muslim--against evil. The influence of marabouts has produced a number of reactions in Ivoirian society, among them a series of reformist movements inspired by Wahabist puritanism, which originated in nineteenth-century Saudi Arabia. These reform movements often condemn Sufism and marabouts as un-Islamic, but the poor see that marabouts often speak out on behalf of the downtrodden and that reform movements appear to support the interests of wealthier Muslims.
Hamallism began as an Islamic reform movement in the French Sudan early in the twentieth century and has provided a channel for expressing political and religious discontent. Its founder, Hamallah, was exiled from the French Sudan to Côte d'Ivoire during the 1930s. He preached Islamic reform tempered by tolerance of many local practices, but he condemned many aspects of Sufism. Orthodox brotherhoods were able to convince the French authorities in Côte d'Ivoire that Hamallah had been responsible for earlier political uprisings in the French Sudan. Authorities then expelled Hamallah from Côte d'Ivoire and banned his teachings.
Islam was embraced because it provided symbolic identification with successful traders and travelers throughout the world. Further, its agents were black, and it preached on behalf of those who lacked the trappings of Western civilization. In the 1980s, about one-fourth of all Ivoirians, including most Juula and Malinké people, called themselves Muslims.
Motto: (translation) Unity, Discipline and Labor

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